Crows

Plus support from Hank

Crows have arrived. Reason Enough, their third album, is the one the band have taken the longest to write – partly because they had to fit the exercise around working full-time jobs, but also because of the freedom that was afforded to them around this specific project, which takes the post-punk four piece’s historically adrenaline-fuelled sound into fresh territory.

It’s more melodic work than what Crows have previously done, “rather than being all-out punk”, as Goddard puts it. The band worked with Mercury Prize-winning producer Andy Savours, who’s previously collaborated with the likes of Black Country, New Road and My Bloody Valentine, on the project. A master of the polished indie record, Savours put a glossy sheen onto Reason Enough, without compromising the record’s intrinsic grit. “It feels less lo-fi, cleaner and more well-rounded as a result,” Cox says.

Lyrically, Cox drew heavily from a difficult year, both personally and in terms of facing up to a heavygoing news cycle. “I went pretty unhappy with the lyrics and vocals,” he says. “I wanted to moan a bit. If the last album was angrier, this one is definitely sadder.” Indeed, a general sense of malaise, isolation, unease and a desire for growth in spite of it all permeate Reason Enough – an album which strikes a satisfying balance between existentialism, soul-searching, and a discerning brand of indie-rock.

“We’re doing the same thing, but a lot better,” Cox says. “This is Crows in high definition.”

Presented by DUST.

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